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Hacker vs. Corporation: the Card Game a.k.a. , “Android: Netrunner”

While researching Magic the Gathering (I had heard it was a fun play), I came across something else that piqued my interest: an extinct game by the name of Android: Netrunner.

At the Brain-dead hour of 4 am, the fast-paced commentary on the Netrunner U.S. Nationals 2019 The Cut was a pleasant listen. From what I’ve gathered on a brain full of sleep soup (probably better known as melatonin), I’ve gathered that it’s a combination of Magic the Gathering and Poker.

The game runs as follows: You and another player oppose eachother; one plays a corporation, and the other plays a hacker. Each team has to get 7 “agenda points”. Hackers gain them from taking the cards from the corporation, and the corporation from completing agenda card requirements.

Entertaining, or at the very least, compelling!

This game involves Resource management, and much like our own monetary system, there is some complexity. The game involves 6 kinds of tokens, most of which are double-sided to signify different things.

The Artwork is lovely as well!

An Example of the art
“The Personal Touch” Card Art

For those who want a true cyberpunk experience, this is the game for you.

Since it was cancelled in 2017, there’s no chance of getting new cards, but there is an online deckbuilder/play site here.

How to make a Feats-Based RPG

What are Feats?

Feats are, boiled down, unique actions or abilities that one can do/have. A game that relies on feats over anything else generally has less reliance on stats or items, and is more about the imagery that comes from a more verbally-based adventure. Some videogames have them as part of a “talent tree”, in that feats have to be unlocked in  a certain order. In these games, some trees are blocked off if you’ve chosen a certain role or path. Games can use feats to boost base skills, or allow more flexibility in the actions your character can take.

Why Feats?

Feats let players do another level of customization, and lets them use something that isn’t for numbers, necessarily. Feats can allow for more fun and can create unique Interactions between other characters and the environment around them.

How do I make ’em? 

Feats tend to have limits of their usage in a certain time frame. That can help with balance in your game. A much stronger/ impressive feat will be given a longer time between uses than some thing simpler/weaker.  One can also have a limit per game of times each feat (or all feats as a whole) can be used.

You can bring Balance to your game through keeping things consistent, watching the usefulness of the feats, and allowing the feats to have in-game importance. Consistency can refer to the description used; keeping the feats at a similar level of power and/or versatility will help keep the players at a compatible level. Usefulness is also a factor in balance and also, consistency. Are your feats tied directly to the gameplay? Are they more for Aesthetic purposes? How you choose to integrate those will be based on the type of play you and your players are looking for. A more light-hearted game for comedy reasons may choose to have silly, more aesthetic-based feats, that do more for conversation than plot, because that is what players are looking for. 

Themes:

Themed around subject: What is unique to the chosen genre? What can only be done or be seen in the genre you choose? What tropes do you enjoy that can be integrated into your game?

Themed around the character’s species, for example, if the character is a merperson(triton, mermaid, generally aquatic),  a feat can be “Once a day, the player can issue a command to nearby lake or sea creature. The creature must do a wisdom saving throw of at least 15 to resist”. The feat is unique to the specie’s upbringing and environment, and can lend flavor to an encounter.

Themed around the character’s job. Things that only that particular class can do, even split into subgroups of effect types. For example, a wizard. A Wizard feat could be being able to duplicate a spell, or change the effect type from fire to ice. Subgroup examples include: feats that effect weapons, feats that affect the Player, feats that affect other players/NPCs, feats that effect the environment.

Your game can be themed around the players. People enjoy things that are unique to them; it makes them feel empowered and even loved! Including something specific about those that you care about can be a way to make that connection be brimming with joy, adding a sparkle in their day!

What do I actually write down?

At the heart of it, you want a name and a description.

The name should be an accurate summary that piques the interest of the player.

The Description should be clear and concise.

It can be helpful to add in any identifying traits (like if the feat is specific to the species/job) beside the name.

A beat ’em Up well suited to the time of Romans…

Asterix and Obelix was a French Comic series that started 1959 (and still going strong) about Gaul (France)during the Roman Occupation. It’s a fun romp with magic potions, rambunctious bards and fiendish Romans all being explored (or beat up) by the comics namesakes’, Asterix and Obelix.

These historic heroes are getting a 2d beat-‘em-up in fall 2021!

It’ll be hand-drawn, to stay true to the style of the comics! It looks to have simple controls, and from the sneak peeks, it looks like it’ll be going through several of the comics’ storylines.

The game will have local co-op, and you can experience this historical-fantasy with your friends, and for those who read the comics, a fresh perspective on a French classic

It’ll be on these Platforms: PS4, Xbox One Consoles, Nintendo Switch, PC/Mac  – Backward compatible on PS5 and Xbox Series X|S

Obelix at work
Obelix at work

Art and Horror in Mundaun

Explore Alpine mysteries in a Puzzle based Horror with Mundaun! This game has a focus on Art and storytelling, and its overwhelmingly positive reviews rave about the vibes this art piece gives off.

The art of the game has a combination of Two and 3 dimensional aspects, and is entirely in black and white. The overlay of 2-d textures heightens the uncanny valley often seen in 3-d video games.  The consistent  art style provides a feast for the eyes and increases the spook factor when a monster fades into view.

The atmospheric ambience  is achieved through the use of  rough textures of the mountain , while things like plants and animals are carefully detailed. By making the sky light grey and the mountains dark, there is just enough contrast to distinguish the two as you traverse the map.

The simplified human shapes of the characters lend credence to the appearance of the monsters. Having a simple style throughout  lets the player maintain their suspension of disbelief.

The story-book-esque style contributes to the games easy-going gameplay, with minimal stats to keep track of an the ability to run or avoid monsters. The game only has  a few jump scares, relying on psychological horror to keep you on the edge of your seat.

A pleasant vista
From the game’s STEAM page

How to make your own card game

How to make a card game from concept to completion

What do you enjoy in the card games that you play? What will entice others to play?

For this example, I tried to create a card game that my friends would play. They enjoy relatively simple games, that one can do while talking or conversing. I chose Uno to be the base game, as all agreed that that was their favorite game.

I like the aesthetic of tarot cards, so I also added in their number system (1-10, then page, knight, queen, and king).

I chose a theme, next. I enjoyed the tiktok trend of “vaguely terrifying beasts as pests that just bother you occasionally” as the theme, and boiled down their appearance to “Oblong form in mask”. Simplifying the appearance of the card’s design increases it’s readability. Making your images overly complex can confuse your players (or yourself when coloring them).

After deciding on those, it’s time to design the cards!

I chose to match the number of the figures to the number on the card, to keep it consistent visually. Other options include making the numbers of objects equal to the value of the card (ordinary 52-card deck), creating symbolism to match the value (most tarot cards), or even just putting the value of the card as the main focus (a-la- UNO).

Consistency is key to make sure the players can distinguish different groups of cards from each other while still recognizing it as part of the group.

Matching color-schemes or patterns is the common route to solve that problem!

For mine, each group (distinguished by color) has its own pattern as well. To make sure that all the cards -regardless of color- are read as from the same game/set, I used the same line-art for the base. Making all the figures the same helps tie the card set together.

The video has the rest of the process!

Dungeon design in DnD: The Rooms, Hallways, and the bits between your players and the Boss

A home is not an empty house; even the most neat space still has stuff in it. In Dnd,  the problem is how to describe a space without tripping up your players, while maintaining the atmosphere you want.

Where is this place going to be? Will you build the building around the location? Will you develop the building based on its occupant? Both?

Think about what people would need to live in your chosen location. For example: A Cult that lives below ground; where do they get their food? What do they do for entertainment? What do they find important in their cult, and what kind of space does that occupy? In that case, you could add in pantries, game rooms, a few sacrificial alters in front of a statue with it’s own room, a space for priests in the cult, a space for digging tools, an area for certain building or support materials, and some sort of path to remove dirt that’s been freshly dug.

Even with just this, there’s already a map being developed.

To build a place around its occupants can be more complex than just location-based design. For example, If you have archers in your castle, you’d want the tall, thin windows and battlements that will protect them; however, non-European cultures tend to use mounted archers (those on horses) more often, so the buildings in those areas don’t account for defense-based archery.

More simply, you can examine the origin and design of your boss, and what pieces of architecture would accentuate those traits. an Eldritch beast would call for a dark and imposing building, with heavy materials, the tall ceilings oozing with foreboding shadows, and stained glass windows alluding to something far beyond the Players’ knowledge. There is also a need to consider the atmosphere you’re trying to create, and creating a moodboard (a selection of images associated with what emotions you want to convey) can help.

For the individual rooms, you can search up a list of items created in the era you wish (for more historically-inspired pieces), or a list of items found in books or media for the location (for sci-fi or high fantasy). You can also review your list of occupants and wonder about what they might need for daily life, and then scatter about these items.

To spice up the interior, you can add in Furniture! Use words that can describe the atmosphere or boss as well. The furniture a person has can tell you something about them. A “bone-thin chair with a black metal back” has a much different vibe than a “warm, plush couch, made of quilted velvet”. A visible lack of furniture can set up an atmosphere of barrenness, or even when placed in context, an air of suspiciousness.  Furniture can be minimalistic, decorated, homely, and can help set up your atmosphere as well as any sounds made by a you-tube playlist.

The materials used in the room can also give it flavor. Describing types of stone using their textures or appearances, or using the wallpaper to its maximum effect. Add in color-meanings or flower symbology to tell the story of the place or its inhabitants. How well-maintained are the rooms? Do people care about the place they’re in?

You can also Give clues about your Boss in main rooms. Shed skin for scaly beasts, the odd hair or piece of fur, or even a closet with the Boss’ preferred outfits. Does your Boss have a particular diet, or habits that are unique to their species or situation?

All of the above can be used to world-build in a way can be as subtle (or dramatic) as you’d like!

Have fun designing!

DnD for Dummies

Part 1: Character Creation

When you are asked to join a Dungeons & Dragons adventure, it is rare to go as the persona you present in day-to-day life. Instead, you’re given a plethora of options for race and class, and are asked to give your Dungeon Master (DM) a backstory by the end of the week.

If you’re lost and don’t know where to begin, I’m here for you!

There are a few ways to start thinking about this problem:

  1.  What does your party need?
  2. What does your heart and soul want?
  3. What would be fun?

What does your Party need?

If you’re creating characters with everyone else in the party, they can give you fun tips on where to go with your character. Party composition (how a group is organized based on class) will depend on the kind of game your DM wants to run.

A more easy-going adventure won’t depend on perfect stat arrangement, but rather on how characters get along. For this kind of game, make sure that your character can establish a rapport with at least one other member of the party, through shared ideals, gods, race, or backstory details.

A more intense adventure (one more based on survival or monster-vanquishing) will need careful arrangements of stats. Take care to note what each class requires for use, and if this is a first time endeavor, pick an easier class to learn, like Fighter, Wizard or Barbarian.  Many Races in DnD have stats or abilities that can help with specific classes.

 

What does your Heart and Soul want?

What did you want to be when you were a kid? What characters did you want to be, to dress up and pretend to be them? Who do you envy, what parts of them do you want to emulate?

Is there any part of yourself that you wan to explore, that never gets to go out and play?

This character can be your chance to try on different genders, different mannerisms, to be a little more dramatic than usual, to do something new or unusual.

 

What would be fun?

What character concepts have you thought of that you think would knock people’s socks off? Is there a character that this group of friends finds entertaining?

You and the DM can also create a character made for their world, one that holds secrets, or carries the plot, or has aspects unique to the campaign.

 

Communication is what makes any group sing, and character creation is no exception.

 

For additional character creation tips, the official DnD site is https://www.dndbeyond.com/

Who has the Right Voice for your Game?

Got a Game? Who has the Right Voice for that Game? Someone with Passion! Having spearheaded a major game modification that garnered 10 of thousands of downloads, I have an idea of what is needed as far as voices go in a game. I added my own voice, and many others, to our modification.

Who has the Right Voice for your Game

Your Game’s greatness depends on your public perception, and will be enhanced greatly by the voices you choose. The final voice decisions begin with a conversation. The conversation is where I can gain insight into your personal aspirations and core values. This is essential for me to understand how you want to portray a character within the game.

I have a Gaming background, the game modification I spoke of earlier was for Star Trek: Legacy known as, ‘The Ultimate Universe‘.

Regarding my Voice: My original Love for Radio translated into sales for a few years and came into a new light in early 2019 when I began accepting clients in need of a new ‘Voice’ for Games, Social Media, website advertising, in addition to anything that needs a new sound, a new perspective, or a fresh take.

You get a professional specializing in voicing in addition to producing your gaming voice. This is an absolute passion, as well as a full time labor of love that has me as a member of the Adirondack Regional Chamber of Commerce. It starts with you and I having a conversation. 518-223-6044 chrisjones@chrisjonesgaming.net. This is what I sound like!

I wear a Bowtie and know a bit about voiceover, so hence the tagline..

The Bow Knows VO - The Right Voice
Chris Jones Gaming

Passionate about Gaming and want a place to write?

I Love Gaming! I Love E3, Gamescom, and anything related to new games and the industry as a whole. I Love reporting on games and hearing about them. Alas, I do not have time to pursue that passion as my life has taken a different turn. Chris Jones Gaming came into fame when we had a team modifying Star Trek: Legacy. I will not ever shut down Chris Jones Gaming – and on that note I am making the following offer:

I want to give someone FULL CONTROL over this website with regard to gaming news and reviews. No Gambling sites, lol. Seriously – If you are passionate about the gaming industry and want to write reviews, talk about new releases, or ANYTHING related to the video game industry for any Platform – please call me 518-223-6044 or email chrisjones@chrisjonesgaming.net.

I am very serious about this, and will conduct interviews. You would need  to be familiar with WordPress – if you have a theme suggestion I am all eyes and ears. 

Again – I am 100% Serious – call me 518-223-6044 or email chrisjones@chrisjonesgaming.net.

 

Passionate About Gaming
Chris Jones Gaming

Back Burner Simmering

As of this article, and as you may know, Chris Jones Gaming is Simmering on the Back Burner. It’s been that way for a long time. You may say – ‘So Chris! – why don’t you just shut the site down? 

Why? because of the rich history of this network. What Network? Well, all of the great people that participated in the Ultimate Universe Mod for Star Trek: Legacy. 

..Also Because I feel I will get back to gaming – who knows when. 

—————

Update 31 May 2022

Something’s brewing.

Regular Gaming news updates are happening, LIVE Streams on YouTube, Twitch, and Facebook..

Reverting to the original ‘dot net’ domain we had back in 2006.. 

Stay Tuned!

Ultimate Universe
Chris Jones